Not a magic wand — a brightness and saturation test
A naive white remover deletes every pixel whose value is above 250, which punches holes in white logos, white lettering and highlights. This tool tests two things at once: how bright the pixel is and how saturated it is. A pure white wall scores high on the first and zero on the second. A cream shirt scores high on the first but carries some saturation, so it survives.
Getting a clean cutout in three sliders
| Control | What it does | If it goes wrong |
|---|---|---|
| White threshold | How close to pure white a pixel must be to be removed. | Too low and grey edges survive — raise it. |
| Colour protection | How strongly coloured pixels are spared. | Too high and tinted backdrop survives — lower it. |
| Edge smoothness | Softens the cut so it does not look jagged. | Too high and the subject gets a halo. |
Best use cases
- Product photos on a white sweep. The single most common use.
- Logos and signatures. Scan on white paper, then strip the paper away.
- Documents and screenshots. Remove the page background before compositing.
- Scanned line art. Gets you a clean overlay for slides.
When this tool is not the right choice
If your background is a busy scene — a desk, a street, a room — colour keying cannot help, because there is no single colour to remove. That needs subject segmentation, which is a different class of tool. Be honest about the trade-off: this approach is free, instant and private, but it works on solid backgrounds by design.